
Darren Aronofsky is a rare species in the film industry. He's a director who has never made a mainstream film, yet has somehow found a way to coax multimillion dollar budgets out of producers and grab a stunning array of actors to star in his left-field projects. Aronofsky's work is certainly an acquired taste, but I'll contend that much of the ill will surrounding his films is thanks to bad luck, negligent marketing and a distinct authorial voice that, when it chooses a moral stance, presents its case in jarring visuals rather than simple exposition. His gorgeous twice-over flop The Fountain, of all of his films, deserves a reevaluation.
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